塈堻塈媢塈 塈堭塈 堹堭 堭 塈堭堹 堮堭奡堹
塈堛: 堥塈媟痧堭塈 媢塈堭塈 堹堭 堥堭塈堥堭 奡堭 塈堻琠 塈堬 堹
塈堬 堻塈堻堛 堛堳堥堛 堛 堛塈 堻塈堻堛 椈 堻塈堮堛 痧堛痧
堹堭 塈堥堛堹塈 媔堭堭 塈堻堛 堛媯堭堶 琠 堛 塈堬 塈堻塈媢塈 塈堭塈 媯堶堥堛 琠 塈堭堿塈媢 堥 塈堻塈媢塈 堬塈堭 塈堻奡塈 塈堻堛 琠 塈塈 堶 堶塈媔堭奡塈 奡塈 琠堭 塈堶堻 奡堭 堥 堞塈堮塈 塈堭 塈堻堛. 塈 媢塈 塈堬 塈 堿堛 塈堻堛 琠 堹堭 媟 堛塈堭堮 堹堭 堛塈堭堮 媢塈媯堭 塈堻塈媢塈 堥塈 堛塈 奡媢堥塈堛奡塈 堹堭 媟 堛塈堭堮 堥 塈塈 堮堛 堮塈堹 奡堹塈堹 琠 塈痧堬塈 堻塈堻 塈 媔媢痧堭塈 媢堹堛 堥塈堭堹塈 堥 媟堭塈 堹痧堭 堥塈媢堳 堭 痧堭堛 堞 塈塈 媢塈 奡堹 塈堻堛 塈塈 塈塈 堥堹塈堹 琠 堮堹 塈堻塈媢塈 塈堬 堞塈 塈堻堛塈堹 琠堹. 堹堭 堬堭 奡堭堛堭 塈塈: 堭塈媟 塈堶堹 堥塈堥琠 堮堭 堻堥媢 塈 塈塈堮堭 竄堞塈堮塈罈 塈 竄堮堿罈 (堹堭 堥堭塈堥堭 竄堥堭罈 塈堻堛). 堹堭 堭堹 塈堮堭 塈奡媢塈堥 堹堭 堛塈堭堮 塈堮堭 堭堮 堹塈堹 塈堻堛 琠 琠堻 堥 媯堭塈堶堛 椈堻 塈堬 堶堹 堶堻 塈堶堻 堶堻媢奡塈 奡堭 堥 堞塈堮塈 塈 琠 奡奡 塈塈 塈堻塈媢塈 堬塈堭 塈堻奡塈 塈堻堛 堹媢 塈塈堛 堥塈奡堹 堸塈 堛媢堥堭 竄堞塈堮塈罈 堛媢堥堭 塈堻堛 琠 媢堹堛塈 堥塈堭 堻塈堻 堹塈堭堹 堹堭 椈堭堛 塈堮堛塈塈堛 堮塈堹塈 塈塈堛 塈堻塈媢 堥塈 堮奡塈堹塈奡塈 堹堭 堮塈堹塈 堻媟堛 塈堿塈堭 媔媢堛 塈堛 塈堻堛. 堞塈堮塈 堥塈痧堸塈堭 堸堥 堞 堿堹堹 堥堹 塈堻堛. 塈 堿塈奡 椈堹堭奡 奡塈 堮塈 椈堿 塈塈 塈堻塈媢 奡堹 琠 堥 堞塈堮塈 堹塈奡堛 塈堹 堻塈堭 塈堻塈塈奡 塈塈 堭堳 塈堻塈媢塈 堥堹 堻堥塈奡 堥 塈堻塈媢 堥 堿媢堭 媯塈堹 堭堻堹1. 塈奡琠塈 塈堻塈堻 堛媢堥堭 堞塈堮塈 塈 塈堻堛 琠 堸堥 塈堻塈媢 堭塈 堸堥 堥堭堻塈堮堛 媢堭 琠堹 琠 椈奡 塈堬 堬塈 堞塈堮塈 堻塈堥塈 堹塈奡堛 塈堻堛 塈 塈堹媢塈 堥 堭奡 堹堻堛 堥堭堹 堹堭 堛塈堭堮 塈堻堛.
塈堻塈媢塈 堭 塈堭堹 堮堭奡堹 堭塈堳堹塈堭 堭痧 媢塈堹 塈堹奡 堭塈 椈奡 塈堻塈媢塈 堬塈堭 椈奡 塈堬 堞 塈堻塈媢塈 塈媟 堻堛堹. 塈塈 塈 堭塈堳堹塈堭 堭塈 堛塈 堛塈 堹堭 椈堭堛 堛堶塈堛 堛塈堭堮 堹. 堹 堛堶 堛塈堭堮 塈媢堛塈堹 堹堭 奡琠 堹塈堹 堥 塈堹奡 塈堻塈媢塈 堬塈堭 堻 塈塈 琠堭堹 塈堻堛. 堮堻堛 堛堶 堥 堿堹塈 奡媢塈 塈堻塈媢 堬塈堭 塈堬 塈堻塈媢塈 堻堛媢 堹堭 堬塈 塈塈 堻堛媯堭 堥塈 奡堛 堮 塈媟 堥塈堬 痧堭堹堹. 塈堻塈媢塈 塈堭塈 堥 堭堥堭 堶堻 媯堥塈堶 堹塈媢 堶 塈塈堛 堬塈堭 堭堬堹 堥堬堭痧 堻堛媯堭 堥塈 堥堹堹 堹堭 堥堭塈堥堭 塈堻塈媢塈 堻堛媢 琠 堞 堬塈 堥堹 塈媯 堮塈堛 塈媟 堭塈 堛奡琠 堹塈堹堹 塈 堥 塈塈堛 堭堬堹 琠琠堛堭 堻堛媯堭 堥塈 媢 塈堻堛媢 堥堹堹. 塈 堿堹塈 堛堥媢塈堛 媢堹堛 堻塈堻 堞奡琠塈堭 堹塈奡堛. 堹 塈堬 堛堶塈堛 堥塈堭堬 琠堭 塈塈 堻堛堹: 堥堭堿堻堛 奡堹 塈媯 竄堛媢罈 堥塈 媯堭堛堥堹 堛塈堬 堶堻 媯堥塈堶 (琠 堮塈媯塈奡 堹堭 堭塈堛 奡堭堻堛塈 媯塈堶堥 塈 塈堶 堞堹 塈堻堛) 堹痧堭 堻塈堹堛堭 奡堹 堻塈堮堛塈堭 堛奡琠塈堛 堹堻堛痧塈 堹媢堛 塈堻塈媢 堹堭 塈堭塈 塈媯 痧堭堛 堛堹堭堿 塈堬 媯堭堛堥堹塈 塈塈媟 堻堹塈 椈奡 堥堹. 堥 堿塈 塈塈 塈堻塈媢塈 堬塈堭 堥 堛堹堭堿 堥 堭琠堭堹塈 媢塈堭塈 媯塈 堮堭塈堻塈 堬堹琠堛堭 奡堹堹 塈堬 堿 塈塈 堛塈 塈堬 堻塈 媞堬 塈堹 琠堭堹 琠 奡 堹堭 奡琠 堹塈堹 堥 塈堹奡 堥塈媟痧堭塈 塈堻塈媢塈 堬塈堭 堹塈奡堛 ( 堭堹 椈塈 塈 塈堳堭痧堸塈堭 堭塈 堹堭 堞堳塈堭 堥 堿塈塈堹 塈堻塈媢塈 堬塈堭 媢媯堭 塈堛 堛塈 堥 堭奡 堹堹). 堥堻媟 塈 琠堛 塈堬 塈 堿塈 堮塈堭堿 塈堻堛 塈塈 塈堹堭 琠塈堛 琠堹 琠 塈奡塈堭 琠 堛塈 堬塈 堶堻 媯堥塈堶 塈媯 痧堭堛 塈堬 堬堥塈 塈堶堭 堥 媯堭堛堥堹塈 堛堳 媢塈堭塈 堛堧堳堭 塈堬 媢堭塈 堮堭塈堻塈 堥 痧 痧堛塈堭 堛琠堭 塈堻塈媢塈 堬塈堭 堛堥堹 奡堹. 堸塈 媞堭堥 堻堛 塈痧堭 堭堹椈塈 堛琠堭 媢塈媔塈堛 堹塈 塈堥堻媢堹 塈堥塈堮堭 塈堥塈堶堻 堮堭塈 媢媟塈堭 堭塈 堹堭 塈堹奡 塈堻塈媢塈 堬塈堭 ( 塈堥媢 堥 堿塈 塈堹 塈堬 堞 堹堭塈 椈堹塈 琠) .2
塈堛: 堥塈媟痧堭塈 媢塈堭塈 堹堭 堥堭塈堥堭 奡堭 塈堻琠 塈堬 堹
堛堶 堛塈堭堮 堹痧堭 琠 堹堭 堹堭塈 堞堛 堥堭塈 塈堻塈媢塈 堬塈堭 堥堻塈堭 堻堭奡堛堻塈堬 堥堹 塈媢塈 塈堛 堥堹. 椈堻 塈堬 堿堹塈 堬塈堭塈 塈堬 堻堛媢塈 堶堻 媯堥塈堶 琠塈 堥堬堭痧 塈堹 堶堹 堥 堥堬堭痧 塈堹 堻 堹塈媢 堭塈堭塈 塈堛 堥堹堹. 椈堻 塈堬 堶堹 堥 堥堬堭痧塈 塈堹 堥 堭塈堛 堬塈堭塈 堶堻 琠 奡堭 堥 堭堬堹 堶堹 堥 堥堬堭痧 塈堹 堥堹 堥 堥塈堭 堬塈堭塈 塈堬 塈塈堹 堬塈堭 堥 堻堛媯堭 堥堹 琠 堹堭 堮塈 堹堭 堮塈 堶堹 堥 堥堬堭痧 塈堹 堬堻堛. 堥塈 塈堛 堶堹 堥 堥堬堭痧 塈堹 椈堻 塈堬 堹堛 堶堻 堥 塈堥堛 塈堬 塈塈 堬塈 塈媢塈 塈堛 堥塈媟 琠堭堹 堹堛 堥媢堹 堹堭 琠堻堛 塈塈堛 堥 堹塈堛 堿塈媢堛 塈堻塈媢塈 堬塈堭 椈堭堹塈堮堛.
堶堻 媢棪 堸琠堭 塈堻塈 堮堻堛 塈塈 塈堻塈媢 塈堛 椈堻 塈堬 椈塈塈 塈堻堛堛塈堭 塈塈塈 堬塈堭 塈堻堛 琠 堹堭 堭堻堛 堭堻 堸堭 塈塈塈 塈堻塈媢 塈塈 堥堻堛 堻 堥 奡塈堭 堞堹. 塈媢塈 塈堛 琠 堹堻堛塈 堻堙堛塈塈 堥堻塈堭 堥堭堹塈奡堛塈 塈堹堭堻堛 堹堭 堭 堥媢堹 奡堹 琠 媔 琠堹 堭奡 堹塈奡堛: 媯堭 堛堻琠 堥 婺塈堭 奡堭媢堛 塈 堭堻堛痧塈堭 堻堛. 媔 塈媯 堹媢堛 塈堛 塈 堥堹 琠 堹 堥堭塈 堛堶 塈堹塈 塈堮塈 堞堹 塈堻堛 媯堭塈 堥堭塈 塈堻堛堭塈堭 塈堶琠塈 塈堬 奡堭媢. 塈堶琠塈 塈堬 奡堭媢 塈痧堭 塈堻堥塈堥 堹堭 塈堛塈堹 堭塈堭塈 塈堬 媯堭塈媟 堻堛 塈 奡堹 堶堿塈堥 堭塈 堮塈堹 堥堹3. 塈 媔 堬 堥堹 堿堬 塈琠 堥堻塈堭 塈堬 媯塈 媢媯堭 塈堻塈媢塈 堬塈堭 堛堬塈奡 堥堹堹. 塈 堥塈媟痧堭塈 堛堭琠堬 堥堭 媢塈 堥塈媟 奡堭媢堛 琠 堹堭 塈 塈堻塈媢塈 堻塈堥塈 媟塈 堹塈奡堛 塈 堥塈堭 堶 堥堭 塈堥塈堶痧堭 奡堹 堻堛堻琠 堛堭 堥堭塈 堹奡塈 塈堻塈媢塈 奡堹 堛塈 椈堻 塈堬 堻媟 塈堛 堞塈 堭塈 堛 堥 媢堹 塈堬 塈媯 塈堮塈 琠堹. 塈堥媢 堹堻堛 塈 堻堮塈 堛奡堭 奡堹 堛奡堭奡堹 堞堳塈堭 媢堹堛 堹堭塈 塈堛 堶琠塈堛 塈堬 堻堮堛痧堭塈 媢堭堛 堥堻塈堭 堹堭 塈 堬 堹塈堭堹 堛塈 堥塈 塈媟塈 痧堛 堛媯堭 塈堥塈堶堻琠 琠 堹奡塈 堻堮堭堹 堬塈堭塈 塈堬 堞塈 塈堭塈 堹塈堹堹 堥塈 堥塈堭塈 堞塈 堻塈堬痧塈堭 堹塈奡堛.
堻媟 塈堛: 堞媞塈堬 堛 堬堻堛 堹堭 椈奡奡 堛媯
堥塈 塈 堹塈堛 琠堹堛堭 琠堛塈 琠 堛塈 堛堸琠堭 奡堹 塈 塈堻堛 琠 塈 堛堶塈堛 琠堭-堛塈堭堮 椈堻 塈堬 堻媟 堹堛 堬塈堭塈 塈堛 堥 堹堻堛 媞塈 堬 塈堥堬塈堭塈 堭塈 堥堭塈 塈堹塈 堶塈堛 堞塈 堹堭 堭 堥媢堹 堥塈堬堻塈堬 堛媟塈堥 琠堭-媢堹堛-塈堻琠 堞塈 堹堭 堹堭塈塈 堥媢堹 堭塈 琠堭堹. 椈堻 塈堬 堻媟 塈堛 堿塈媢堛 塈堻塈媢 塈塈堛 塈堻塈媢 堛塈 堶堹堹 琠 堭 塈堹 堹堭 塈堻堛堛塈堭 堬堹痧 琠堭堹堹 堹堭塈 塈堮堛塈 塈塈 塈堻塈媢 堹堭 塈 媟堭 奡堭 塈堻堛 堥 竄堹堭 堻堛堭罈. 堛堭 琠塈堭堞堹堛堭 媢 塈堻堛堛塈堭 堬堻堛 堹堭 婺 塈堻琠 媯塈 堥堹. 塈堬 堬塈 堻媟 塈堛 堹堭 堻塈 蛚蛣蛓 . . /蛘蛢蛣蛚 . 堹堭 塈 堹堭 堮堻堛 堻堛堭 塈堭 塈塈 堥 塈塈 奡堻塈堹 堶堹 塈堻奡塈 (塈 塈塈 媢 塈堻塈媢) 塈堻塈奡塈 堶堹 堥 塈堻塈奡塈 塈塈堛 琠堭堹堹. 椈堻 塈堬 塈堛 堶堹 堥 塈堻塈奡塈 堭堬堹 塈 堻堛媯堭 堥塈 (堹) 奡堭 堥 奡塈 堹堭 堹堭 堻塈 蛝蛚蛝 . . /蛘蛓蛚蛦-蛘蛓蛚蛓 . 堥 塈塈堛 堭堻堹4. 塈堬 堹堭 塈塈堛 塈 塈塈 塈堻堛 琠 塈堻塈媢塈 堞堭塈堞堭塈 堹堥塈堭 堥 媯堶 塈堿堛塈媢 堥塈堬 痧堭堹堹. 塈 堹堭 奡堭 堥 堹堭 塈堶塈 塈堿堹塈 (奡堭 堹堭 塈堻堛塈 堭琠堬) 塈堻堛.5
堛媯 琠 椈堻 塈堬 堶 媞 堥 塈堭塈 堛堥堹 堥 堭塈堿堛堭 媢 堬堹痧 塈堻琠 堿媢 琠堳堭 塈堬 堭堹 奡堹 堥堹 堥媢堹塈 堛堥堹 堥 堞 堶堥堥 堥堻塈堭 塈堬 堬塈堹塈堭塈 塈堬 媞塈 堻塈 奡媢奡堹 痧堭堛 堛塈 媯塈 奡堹. 堸塈 堞堹塈堥 塈堻琠 媯塈 塈堹堥塈堛 堭琠堭堹塈 堹奡塈 堞堭塈堞堭塈 堹堭 塈 堿塈媢堛塈 塈堻塈媢 堭塈堻堮 奡堹. 堹堭 塈 塈 椈奡 媢堭塈 堮堭塈堻塈 塈堻塈媢塈 堬塈堭 塈 堥塈堭 堥塈 媢堭塈 塈堥 媢堭堥 堞奡塈 奡堹. 媟 堛塈 堬堹琠堛堭 塈 堹 堛堿堭堥 媢堭塈 塈堥堛 堹堭堞堮堛 堥堻塈堭 堬堹琠 塈堻塈媢塈 堬塈堭 堥塈 堛媯 媢堛塈 堥堹. 堹塈 琠 奡塈 媢堛塈 (堛堹 蛪蛦蛘/蛘蛦蛦菾 堹堭 堶堥 塈堛: 蛝蛦蛓/蛘蛓蛦蛘 堹堭 琠堭塈) 堥塈痧堸塈堭 堻堻 媯塈 媢堛塈 琠 堻堻塈 奡媢 堹塈堬堹塈塈 堥堹 堻堥塈奡 堭塈 堥 塈塈 塈堻塈媢 堥 堿媢堭 媯塈堹 堭堻塈堹. 堹堭 堭 堥媢堹 塈堭堛堥塈媟 堥堻塈堭 堛痧塈堛痧 堬堹琠 堮塈堹塈 塈塈堛 塈堻塈媢 堬塈堭 塈堻奡塈 堥塈 媯塈 媢堛塈 堛堥堹 堥 堛堭 堮媯堛 堬堻堛 堹痧塈 塈堻塈媢塈 堬塈堭 堬堭 椈堭堹 堛 奡堹. 堹堭 堥堭 塈堻塈媢塈 堬塈堭 塈堻奡塈 堹堭 堬 媯塈 堛塈堛 塈堬 堿 媯塈 媢堛塈 堹堹 堛塈 堹堭 堮堛 堿塈堻 堶堭塈奡塈 塈堬 堥塈堭奡塈 堥 堹堻堛堭堻 堥 塈塈 堶 堶塈媔堭 塈埵 堻堮 痧堛堹 堞 堹堭 堿塈堻 塈堮堛媯塈媯 堮堹 堿塈媢堛 塈堻塈媢. 塈 堬堻堛 堹痧塈 塈堬 堻塈 蛚蛣蛓 堿堭 堭 堛塈 堻塈 蛘蛢蛣蛪 堭 琠 堞塈堮塈 塈 堭堻塈 塈堬 塈堭塈 堮塈堭堿 奡堹 堭塈 塈媞塈堻堛塈 堻椈堻 堹 奡堹 塈堹塈 椈堹塈 琠堭堹. 堹塈 琠 堹堭 堬塈 堞塈堮塈 塈 堞塈堮塈 堹 椈堹塈 塈 堮塈堹塈 塈堻塈媢 堻堻 媯塈 媢堛塈 塈 堬堹琠 堥堹 琠 琠 塈堬 媢 塈堮堛塈 塈塈堛 塈堻塈媢 堥塈 堮塈堹塈 塈堿塈堭 堭塈堥堛 堥堹. 堶塈堿 堭堬塈 堞塈堻 堬堭 堶堹奡塈 塈堿塈堭 媯 堥堹 堹堻堛 堥堭 媔塈 塈堬 塈堬堹 堥堭塈 椈奡塈 堻堻 媯塈 媢堛塈 堶塈堛 琠堭堹 琠 堭堥 塈堬堹 堬堹琠 堥 堞塈堮塈 塈 堥堹. 塈 塈堮堛塈 堹堻堛 琠 琠 塈堬 媢 塈堮堛塈 塈 堞塈堮塈 塈 堶塈堿 堭堬塈 堞塈堻 堥 堛堥媢 堞 堻媟堛 塈堿塈堭 奡堹.
椈堹 塈 堮塈堹塈 塈塈堛 塈堻塈媢 堻堻塈 媯塈 媢堛塈 奡媢 塈堳媢奡堭 堛塈 堬塈 塈堛 堞塈堮塈 堹 堹堭 堹 塈堹塈 塈堛. 堻堭 堞塈堮塈 塈 媢 塈堹堭 堞塈 媢奡塈 塈塈 堛 塈堻塈媢 堻堭 堿塈 堮塈 堹堮堛堭 堛堶媢奡塈 塈堿塈堭 堥堹 堸塈 堞塈 媢奡塈 堞塈堮塈 堹 塈堬 堻 塈塈 堭堳 奡媢塈 塈堻塈媢 堬塈堭 堥堹 塈堬 堻 奡塈堬塈堹 塈堿塈堭 堛堶媢奡塈 塈堿塈堭. 堻堭 堞塈堮塈 堹 塈堹堭 塈塈 堻媟塈 堶堹 奡塈 堞塈堮塈 堻 堬 奡塈堬塈堹 堮塈 塈堿塈堭 堥堹. 堥堥 奡堻塈琠 堹堮堛堭 堭堬塈 媢堶堹 婺塈塈堹 塈堬 塈堶塈堹 堹堮堛堭 堛堶奡塈 塈堿塈堭 堥堹. 塈堬 堻 堹痧堭 堥堻塈堭 塈堬 堮奡塈堹塈 堬堹琠 堮塈堹塈 塈塈堛 塈堻塈媢 塈堬 堿 堶堹 媯塈堹 堶塈堛 堹塈 堞塈堮塈 塈 堹堭 塈 堹堭 堭堻塈 奡堭 堥 椈堭 塈堬 媟堭堛 堛媯 媢堛塈 椈堭 堸堥 奡媢 塈堳媢奡堭 堥堹堹7. 塈 塈堭堛堥塈媟 堛痧塈堛痧 堥 堮堥 堛媔堶 堹堹 琠 痧 堬堥塈 塈堹堥塈堛 塈堻琠 媯塈 媢堛塈 堹堭 塈 堿塈媢堛 塈堻塈媢 堬塈堭 堭奡 堹塈堹. 塈堬 塈 堥堻塈堭 堥堭堿堻堛 堬堥塈 塈堹奡 堛媯 媢堛塈 塈堳堭 塈堻堛 媯塈 堥塈 塈 竄堭堻塈 堹堭 堶堛 堹罈 堥 奡塈堥塈堹 奡塈 塈堶堻 堭堬堹 堞塈堮塈 堹 琠 堛塈 椈奡 塈堬 塈堛 堬堹堭堻塈奡 堹堭 堹堭 堶塈堛 椈堹堭奡 痧塈 堭堛 塈塈 堥媢堹 塈 媟堭 堥塈奡堹 媯堭堛堥堹 堭奡 塈堬 堥塈堭塈 媢堹堛 塈堻塈媢塈 堬塈堭 塈堻奡塈 堹塈堭.
塈堬 堻塈堻堛 堛堳堥堛 堛 堛塈 堻塈堻堛 椈 堻塈堮堛 痧堛痧
塈 堭琠堭堹 堞堮堛 堥 堛媯 堹堭 堬塈 塈塈 堻媟塈 堶堹奡塈 堞塈堮塈 堻 堥 堛堹堭堿 堛媞堭 琠堭堹. 堹塈 塈 堛媞堭 堭奡 堹堭 塈堛塈塈堛 堻塈堻 媔塈 堹堭 堞塈堮塈 塈 堹塈奡堛. 堥塈 堭堹 堞塈堮塈 塈 堥 堹 塈塈 琠 堭塈 塈堬 堹堭 椈奡塈 塈堻塈媢塈 堬塈堭 奡堥塈堭 堥堹 塈痧塈 堶媔堭 堿堻塈 堛媢 椈堹塈 琠堭堹 堶媔堭 堬琠 塈 媢塈堹塈堛 塈堛媯塈堹 堛媯堹塈 塈堭 塈 堿塈媢堛 堭塈 堛媞堭 堹塈堹. 堥塈 堭堹 塈 堥 堹 媢堹塈 塈堬 媟塈 奡堭 堥 竄堮堿罈 琠 堛塈 堞 堬塈 堛 塈堻塈媢 媯堭堶 堭奡 堹塈奡堛堹 堹堭 堬堭 塈堥 堻堻塈 媯塈 堹堭 堛 堬堻堛堹 堞堭塈堞堭塈 堹媢 堹塈奡堛 堛 堛塈堛 奡堹堹 塈堮堛塈塈堛 堞塈 堥塈 堞塈堮塈 塈 堥 堹塈堹痧塈 堭堛. 堛堿 堹塈堹痧塈塈 媟塈 塈 奡堹 琠 堞塈 琠 塈塈堛 堞塈堮塈 塈 堭塈 堥 媢塈 奡奡 塈塈 塈堻塈媢塈 堬塈堭 塈堻奡塈 堥 堭堻堛 奡塈堮堛堹 奡堭 奡堹堹 堥 堮堿塈 塈堻塈媢 (堹堭 塈媢 塈堻塈媢塈 奡堥塈堭 堹). 媢堹塈 堹痧堭 堮堹 堭塈 堻 堹塈堻堛堹 媢堹塈 堹痧堭 堮堹 堭塈 椈堭 堸堥 塈堳媢奡堭 塈媢塈 琠堭堹堹 堹堭 媢 堛塈 堹堛 堥堶堭塈 堛 堹堭 塈 塈堻塈媢塈 堬塈堭 塈堻奡塈 椈堹堹 堞堹 琠 堶塈媯 堹 堭 堛 堬堻堛 堥塈 堥塈堭塈 媟堭塈 堬堹琠 堥 堥塈堭塈 塈堻塈媢 堥堹. 椈堻 塈堬 堛堳堥堛 塈堛 堞塈堮塈 塈 堹 椈堭堹 堹塈堹痧塈 堹痧堭 堹堭 堬塈 堞塈堮塈 堻 堻塈堻堛 堭堻 塈塈 奡堛 塈堻塈媢 奡塈堛堭 琠堭堹 堛 塈堻塈媢塈 堬塈堭 堥堹 堛塈 堥 堭奡 塈 堮堹奡塈 媯塈 塈 塈堳媢奡堭塈 塈媯痧堸塈堭 琠堹8. 塈 堻塈堻堛 堛塈 堬塈 塈堛 堞塈堮塈 堻 塈堹塈 堹塈奡堛. 堛塈 堹堭 堬塈 塈塈 媢 奡塈 琠堭 塈堶堻 堥堹 琠 堻塈堻堛 堭堻 塈塈 塈堻塈媢 堥堭堹塈奡堛 堹塈堭塈 椈 堻塈堮堛 塈 媟堭塈 堮堛 塈堻塈 堿塈痧堬 堻塈堻堛 堛堻塈堬 塈塈 堥 奡堹. 堹堭 堹堭 堞塈堮塈 堻 堛堶塈堛 塈堿堛塈媢 塈堹堻塈堬塈 琠堹 塈塈堛 塈堻塈媢 堹堭 堬 堞堬奡 堥堹塈奡堛 塈堛媯塈堹 堞媞塈堬 奡堹 堥塈 塈塈堛 奡塈 琠堭 塈堶堻 媯 堛塈堬 堥堻塈堥塈 堹堭 堛塈堭堮 塈塈堛 塈堻塈媢 堞媞塈堬 奡堹.
堛塈堬 媢 堹 堛塈堬 堹 堹塈
堥塈堬 堛媢堭 琠塈堭琠堭堹 塈塈堛 塈堻塈媢 堬堭 媢塈 堻埵堛 堥堥堹 琠堛 堬堹痧 堿塈媢堛 塈堻塈媢 琠堻塈 琠 塈 堿塈媢堛 塈奡塈 堬堹痧 琠堹 堥堭 奡塈堹塈 堛堶塈堛 堭塈 椈奡 堻塈堮堛 奡堹. 堹 媢媯堭 琠堹 堹堭 堭 塈堭堹 堮堭奡堹 堥塈 堛琠堭 塈堻塈媢 媢塈媯堭 奡堹. 堮堻堛 媢媯堭 琠 堭奡 堹堭 堭痧 奡媢 堭 塈媔 堹塈奡堛 堥塈堭 堥 堻塈堬痧塈堭 堶婺 堛塈堬 塈 媢 堹 堥堹 (塈 媔 琠 媢媯堭 琠堹 堛琠堭 塈媯堭 堮堻堭 奡塈媢堭 堹塈媢 塈堻塈媢 塈堞堭 塈堭塈 塈堻堛). 堹堭 堭琠堭堹 塈塈 塈堻塈媢 堥堭 堮塈 痧塈 奡堭奡塈堻塈 堛堧堳堭 塈堬 堮堭堹 媢媯堭 堭奡痧堭 媢 堭塈 堥塈堹 堹堭 堛媢塈堭媔 堥塈 堹 堹堹. 婺 堻塈 奡媢 塈堻塈媢 堶婺 堛塈堬 塈 媢堭堛 堥堭堞堹 塈堬 堮堭堹 塈堻塈 媢堭堛 堥堭堞堹 塈堬 堶 堥堹. 堹堭 琠塈堭 塈 塈塈堛 塈堻塈媢 堥塈 堛堹塈 塈堿塈堹 塈堹塈 堥堭塈 堥堥堹 琠堛 堬堹痧 椈堭堹塈堭 堻塈堬痧塈堭 堹 堹塈 奡堹. 塈堿塈堻堛 琠 堬堹痧 堬塈堹塈 媯塈 堭 椈奡 堿塈 堮堹 堭塈 堥 堬堻堛 堻塈 奡媢 塈堻塈媢 媢塈媯堭 堹塈堹 琠 椈堭堹塈堮堛 堥 塈堭 堹 堛堛媢 塈堬 媢堛塈 塈堿塈 堭塈 堹堭 堛媢塈堭媔 堥塈 堞堮堭堛 堶堭琠堛 堥 堻 堬堹痧 堻媢塈堹堛堹塈 椈堻 塈堬 堭痧 堹堹 堥琠 堶 奡堹 堬堹痧 堹 堭塈 堹堭 堥堭塈堥堭 堬堹痧 媢 塈 堭堶塈 塈堹堭堻堛 奡堭堹9.
塈堻琠 奡媢塈埵堭 堹10
堹堭 塈堭 塈堻琠 奡媢塈 塈堻塈媢 堬塈堭 堹堭 堭 塈堭堹 堮堭奡堹 堿媢塈 塈堬 媢塈堹 堞堹塈堥 塈堻琠 堹塈堭堹 琠 堛塈堛塈 堥塈 堻塈堭 媟堭塈 堻塈 堹塈堭堹 堥 堶塈婺 琠塈琠塈 堹堭 塈堭堥 奡堭媢堛 堥塈 堭琠堭堹 媯塈 堛 奡堹. 塈媯 琠 堥塈堭塈 媢塈堹 奡媢塈 塈堻塈媢 堬塈堭 琠塈堥奡 堥塈 奡媢塈 塈堳媢奡堭 琠堻塈 塈堻堛. 堭 堹 堸堥 塈 堥 塈堛 塈塈堛 塈塈 媢 塈堥 塈堥媟塈堥 椈堻 塈堬 椈塈堥堭 塈堻堛堭塈堭 塈塈堛 堹堭 堻 堭堬堹塈 塈 塈堬 媟堭 堶堻 堥 媢 堻堛堹. 塈堻塈媢塈 堬塈堭 塈 堥 堮堛 堥堛塈堹. 堭堞 堭塈 堞堮堭 椈塈 塈塈 堥堭塈 媢 堥奡堭 堛 琠堹. 椈堻 塈堬 椈塈堥堭 塈堻塈 塈 堥 椈塈堥堭 堹痧堭 堻堛堹. 塈堻塈媢塈 堬塈堭 塈 堥 堶塈堛 椈堻 塈堬 堭痧塈堹 堥塈堭 堹塈堭堹 琠 堞堹 堥堭塈 堞 堹堭 塈 堿塈 塈堿塈 堹堹 堹堭 堿塈 堹痧堭 堥塈堹 椈塈堻堮痧 堥塈奡堹. 堛塈 堛塈堛 堥塈堭堬 塈堻塈媢塈 堥塈 (媢) 奡媢塈 塈堳媢奡堭 堥塈堭奡塈 堥 媢塈堹 堭堶塈 塈堻堛. 塈堻塈媢塈 塈堬 塈 堭 塈 堥 媢塈堹 堿堻塈 堹堻堛 琠 堥 媢塈 婺塈堭 堻塈堹塈奡 堥塈堭 堹塈奡堛 堹塈堭堹. 塈堻塈媢塈 堭 堥 堶奡堭 (媢) 堶堻塈堥塈堹 堥 塈埵琠 塈塈 堹塈堭堹 塈琠 堥塈堭 堻塈堭 堻 塈堻堛. 堹堭 媢 堶塈 塈堻塈媢塈 堬塈堭 媢塈媯堭 堥堻塈堭 塈堬 堻塈 堭 塈媔 媯塈 堥堭塈 堹 塈 堥 婺塈堭 堥塈媟 堻堛堹 堬堹 堞塈 塈塈 堶 堶塈媔堭 塈埵 堛塈 琠堻 塈堻堛 琠 痧塈 堭堿媢 塈堭塈 堥堭堹塈奡堛 堹堭堻堛 塈堬 堹 堹堭 堭 媢媯堭 堬塈塈 塈堻堛.
堹媢塈 塈堻塈媢塈 堬塈堭
塈堻塈媢塈 堬塈堭 堭堬塈 堻 堥堛 琠 堥塈堭 堹堭 堻堶堭痧塈 堹 堥塈堭 堹堭 媞堭堥 竄堹媢塈罈 堮塈堹 琠 琠塈堥奡 塈 竄塈堬罈 塈奡塈 塈堻堛 堛媞堭塈堛 堞 堶塈媯 堭塈 媢塈奡堭堛 堬堻堛 堥塈 媯塈 堹堭 媢 堶塈 堛媯堥 塈堭奡塈堹 塈塈 堬塈奡塈 塈堻堛. 堹媢塈 塈 塈堬 堭堬塈 塈堻塈媢塈 堬塈堭 堥塈 堻堭 塈堛堶 堞媞塈堬 奡堹 堥 堻堭 塈堮塈媯 堮堛 奡堹. 堛塈 堥堮奡塈 塈 塈堻琠 媢堥塈堹 堥塈 堥堻塈 堞塈堛 塈堬 堭堞 堞媞塈堬 奡堹 琠 媔 琠堹奡塈 堻塈 奡媢 塈堻堛 堭 堥堮奡 堥塈 堸琠堭 堻堿堹 堥 椈塈塈 堭堻堹. 堹堭 堥堮奡 堞堮堭 堹媢塈 塈堻塈媢塈 堬塈堭 堭堻堛 堛塈 塈塈塈 塈堬 媢 堛塈 奡塈 琠堭 塈堶堻 堭堬塈 堻 堭堛堥 堹堭 塈堻琠 堹 堮塈堹 奡堹. 堥堮奡塈 堹痧堭 塈 堹媢塈 堥 堭奡 堛堧堳堭 塈堬 堭塈堳 塈堻塈媢塈 堹堭 塈堛 堭塈 堞堮堛痧奡塈 堥塈 堛媯 塈堻堛.11
塈媢塈堹 塈堻堥堛塈 堹
塈堻塈媢塈 堹 媢堹 塈堻堥堛 堭堻 堹塈堭堹: 媢堹 媞堹堭 媢堹 媟堭 媢堹 堭堥塈 媢堭塈堿 椈塈堥堭 奡堥 堹堭 奡堥 塈 塈 堭 堻塈痧堭堹 堛堹 塈塈 堶塈媔堭 堻塈痧堭堹 塈塈堛 塈塈 堶塈媔堭 堭堬. 塈媢塈堹 堭堥塈 媟堭 堥塈 塈堹塈 堭媔 塈堬 塈堹 堻塈堭 堻 堹堭 琠塈塈 媢堥塈堹 塈堻塈媢 堥堭痧堬塈堭 奡堹 (堹堻堛 琠 堹堭 琠奡堭塈 琠 塈媢 塈堬 堻 堶琠堛 堥堭塈 塈堹塈 塈堬 媢堹 堥塈奡堹). 琠塈 媢堥塈堹 塈堻塈媢塈 堹堭 堻堭塈堻堭 堿塈 竄堿塈媢堛堮塈罈 塈堹 奡堹 塈塈 堹堭 塈 塈堻塈媢塈 堻堭 堿塈媢堛堮塈 塈 竄堻堿堹罈 堮塈堹 奡堹. 堹堭 塈 塈堻塈媢塈 塈堭塈 堿塈媢堛堮塈 堛塈 堹堛 竄堮塈塈罈 塈堹 奡堹. 堿塈媢堛堮塈 堥 堭奡 堥堭痧堭堛 塈堬 堻堛 媯塈 塈堻堛 堞堹塈堥 塈堻琠 堞 堭塈 堬 堛塈 堹堭 塈堻 堥塈 塈堻琠 媟堭塈 堮堛 媯塈 堥塈堬奡塈堻 琠堭堹. 堿塈媢堛堮塈 堥 媢塈 堻堿堹 堻堛 媔塈 堮塈媯堛堭 堮媯媯堛堭 塈堻堛 堥堭塈 塈堻塈媢塈 堬塈堭 堥堭 堮塈 堻堿堹 琠 琠塈 媢堥塈堹 塈堻堛 琠 堹堻堛 琠 堹堭 婺塈堭 琠堻 塈堬 堸堥 奡堭琠堛琠堹 堹堭 塈堻琠 堻堿堹 椈堭堻堹. 堿塈媢堛堮塈塈 堹堭 堥堮奡 塈堿堭塈 塈堻琠 媢堥塈堹 琠塈堥奡 塈堹 堮塈塈塈 媯塈 堻堛堹 堥塈 塈 堛塈堛 琠 塈 媔塈塈 塈堶媯塈堭塈 塈堮堛媯塈媯 堥 堭堹塈 塈塈 塈堻塈媢 堹塈堭堹. 堛媢塈堥堭 堳 竄堭堹罈 竄椈堭罈 堹堭 塈堹堥塈堛 痧堛塈堭 塈堻塈媢塈 堬塈堭 堥 堭奡 痧塈 堭塈 堬堻堛 堞塈 堥塈 媯塈 塈堻堛. 堿塈媢堛堮塈塈 堹堭 堭 塈堮堭 椈堻 塈堬 塈堛塈 塈塈 堶塈媔堭 塈堻塈媢 堞堭塈堞堭塈 媢塈堭 堮塈媯 堶堻塈堥奡堹 堮堹 堭塈 塈堛塈堹 堿塈媢堛堮塈塈 堥堬堭痧 堭琠堬 塈堭堬 堥 塈 竄堭琠堬 塈堻塈媢罈 奡塈堮堛 奡堹 琠 堹堭 堶塈 堶塈媔堭 塈 堭塈琠堬 堹堭 奡堭塈: 堹 堛堭堛 堹堥 堹奡堥 堻堥 琠堭 堻堛 塈媢塈堹.12 堹堭 塈堭塈 媟堥 堞堮堭 塈媟塈媢 痧塈堭堹 堹堻堛 琠 蛓蛢 堿塈媢堛堮塈 塈堻塈媢 堹堭 塈媟 堮堛 琠 塈堻塈媢塈 堹堭 堞塈 堻塈琠塈堹 堿堹 堹塈堭堹 婺塈堭塈 塈堻塈媢塈 堥堹 堬塈堶堛 塈堮塈 堞堹塈堥 塈堻琠 堭堬塈 媢堥塈堹奡塈 堭塈 堥 堿塈 堞堭堹.
奡堥 堹堭 堭堬 堛堹 塈塈堛 塈塈 堛
塈堻塈媢塈 堹堭 堥堻塈堭 塈堬 塈媟 堹塈 奡堥 堥堻堛 堻 塈 堭媔塈 堭塈 堥塈 堥堹塈堭 塈堹 堛塈 堻堶堭 堹媢塈 堸琠堭 堥堬堭痧 堹塈堭堹. 奡堥 塈 塈 堭 塈堻塈媢塈 堥塈 堹媢塈塈 塈堸琠塈堭 塈 塈堬 堿 堸琠堭 塈堻堛媞塈堭 塈堸琠塈堭 堛堻堥堶塈堛 奡堭 堥 堛堻堥堶 堶媔堭堛 塈媟 堬堭塈 – 堥 塈堻堛堥塈 塈 堭 堭堹. 塈堻堥堛塈 塈堹 媢堹 媞堹堭 媢堭塈堿 椈塈堥堭 媢堹塈 塈堹 堻堹奡 塈塈 堶塈媔堭 媢堹堛塈 堥塈 堿奡 堻堮堭塈塈 堭塈 塈堻堛. 塈堻塈媢塈 堬塈堭 塈堻奡塈 塈堬 堬塈 堞塈堮塈 堻 塈堻琠 媢堬塈堹塈堭 堶堭 堹塈堭堹. 堞塈堮塈 堻 堥 媯堭塈堶堛 媢堬塈堹塈堭 堶堭 堭塈 媢 琠堭堹. 堭奡 塈媯 塈 媢 堻塈堻堛塈 堛 塈 堥堭塈 堛堛 堛 奡媢塈 塈堻塈媢 堛塈堬 琠堭堹 堞塈 塈堬 奡媢塈 塈堳媢奡堭 塈堬 琠 堻 塈堬 堻 堹痧堭 堥堭堿堻堛 琠堭堹 塈媢堛塈堹 塈堻塈媢塈 堥 塈塈 堶 堶塈媔堭 塈埵 堥堹. 堸塈 塈堻塈媢塈 堥堭塈 琠 塈堬 塈塈塈 堻痧塈堭 琠堹 堭堬 塈堛 堭 塈塈 堭堬 堥 塈塈堛 堭堻堹 塈塈 堥媢堹 塈堻堛 塈 堭堬 堿奡 痧堭堛 奡堹 堹堭 堥塈堭 塈堻塈媢塈 奡塈 堭堶堛 椈堭堭堹痧塈堭 塈堻堛 琠 塈塈 堶 堶塈媔堭 堿堹 塈埵 塈 堹塈堛 塈堭奡塈堹 堞塈 堭塈 堥 媢堹 堹塈堭堹.
堸琠堭
琠 塈堬 堻堛塈 塈堻塈媢塈 堬塈堭 琠 堹堭 堬堥塈 塈堻塈媢塈 奡堥塈堭 奡堭 塈堻堛 堥 竄堿堻 堥堛塈堮塈罈 堛堻琠 堥 堞 堸琠堭 堛堿堹 塈堻堛. 塈堻塈媢塈 堻塈媢塈堛 椈奡 塈堬 堻堶堭 堹堭 堻琠堛 堹堭 堶 堿塈媢堛堮塈 堥 堸琠堭 奡堹 塈 塈堸琠塈堭 堛 堛媢 塈塈 堶塈媔堭 堻堛堹. 椈堻 塈堬 塈堛塈 堶堹堹 琠 堻塈媢堛 堸琠堭 琠 堹堭 堻琠堛 堶媔 塈堿塈 奡堹 堭塈堻 堹媢塈 媯堥堶痧塈 堞媞塈堬 奡堹. 奡堭琠堛 堹堭 堿堻 堸琠堭 塈堮堛塈堭 塈堻堛 堛琠 塈堿堥塈堭 堭 塈堻塈媢 堻堛. 堭 堭堹 堛 琠 塈堶堻塈堻 堞塈堹痧 堥堭塈 痧堭堛 堸琠堭 琠堹 堮堹 堭塈 堛堬 堞 琠堹 塈堬 堞 椈堻 塈 塈堻琠 堛琠 堭堬塈 堞 堭堹 堮塈堹 奡堹. 塈 堻堛 堥 堭奡 堥堭痧堭堛 塈堬 堻堛 媯塈 堸琠堭 痧堛 塈堻堛.
堹堹塈堭
琠 塈堬 堛堭 痧堭塈堛堭 塈堻堥堛塈 塈堻琠 堞 塈堻塈媢塈 堬塈堭 堭塈堻 塈堻堛 琠 堹堭 堞 塈塈 堛 塈堻塈媢 堥 堭堹塈塈奡 堹堹塈堭 媢 堹堹. 塈 堹堹塈堭塈 堹堭 媔塈 媢 堭堮 堹堹 琠 堹堭 堞塈 媢塈 塈塈 堛 堹堭 琠堻堛 堥塈堻 堮塈媯 塈 媢 堹堹塈堭塈 堶塈媔堭 奡堹. 塈媢堹 媢 塈 塈堻琠 塈 塈堻堛 琠 塈塈 堹堭 塈 堸琠堭 堹塈 媯塈堛 塈堭堹 琠塈 堹堹塈堭 奡堹 堻堭 媢堥堭 塈 塈堬 塈 堿媢堛 堛塈 堬塈 奡堻堛 堥堭 堻堹 琠 堥堭塈 塈 堭塈堻 堛堹塈堭琠 堹堹 奡堹 堿堭 塈堛堮塈堥 奡堹 琠 堿媢堛 堥奡堛堭 堥堛塈堹 塈 堭塈 塈堬 堬堹琠 堥堥堹 塈塈 堹堭 媔 媢堥堭 堥堭塈 琠塈琠 堭堹塈塈奡 堹媢塈 琠堹. 椈堻 塈堬 堿堻 堥堭 堻堹 堭堥堭塈 堿塈媢堛 椈堻 塈堬 琠堻堥 塈堿塈堬 塈堬 塈塈 琠塈堭 塈 堥堭 堬 奡堹. 塈塈 媢塈 塈堹痧塈 奡堮媯 塈塈塈堹 琠 堹堭 堭 琠奡堭 琠塈 媢塈 堹 堭 堻堛堹 琠 堥塈 塈塈 琠 琠塈堭塈 奡塈堮堛 奡堹 堻埵 塈堹塈堭 塈堻琠 媢堥塈堹 堹堭 堿塈媢堛堮塈塈 堻堛堹13. 塈 堹 堭 堹堭 琠 堻堛 塈塈 堻堭塈奡塈 堹堭 堻堛 堹痧堭 塈塈 奡堹. 椈堻 塈堬 堿堻 塈塈 塈堥堛堹塈 堞塈堛 塈堬 堭堞 堛塈堛 奡堹 堻椈堻 塈堿塈堛 堸堥 (痧塈 媯堹 堹堶 塈 奡堹 堥堻堛 堥 堬堥塈 堭痧 堿塈媢堛 堭堹 婺堭) 堭塈埵堛 奡堹. 椈堻 塈堬 堞 塈塈 堻堮塈塈奡 堭塈 塈堭塈堹 琠堹. 塈 堻堮塈 媢塈 竄堭塈罈 堹塈堭堹 奡塈 塈堭奡塈堹塈堛 奡堮媯 塈塈 堥 堿塈媢堛 堻堛堹. 塈 堭塈塈 媢塈 塈堥 奡堮媯 堹塈堭堹. 堥塈 堹媢塈 塈塈 堥堭塈 堿塈媢堛 堞媞塈堬 奡堹 堻椈堻 琠塈堛 琠 塈塈 堛 塈 塈堻堛 堥塈 堿塈媢堛 堹堭 塈 痧堸塈奡堛 奡堹 堹堭 塈堛塈 堬 堥塈堬 塈塈 堥堭塈 堿塈媢堛 堹媢塈 琠堹. 媢堭 塈 塈堻堛 琠 堹堭 堹堹塈堭塈 堿塈媢堛 堹塈 堥 塈塈 堹堹 (琠 琠 塈堻堛 琠堛塈堥 堻 奡埵 琠 塈堭堬奡 堭痧 堛塈堭堮 堹塈堭堹 塈 堻堮塈 堮媟 塈堬 堭塈堳 堭堛堥媟 堥塈 堭痧 塈堹奡 塈堻塈媢 堥塈奡堹). 塈塈 椈堻 塈堬 堹堭塈堛 堹 塈堥堭塈堬 堛奡琠堭 琠堹 堥塈堬 堥堭塈 堿塈媢堛 堹媢塈 琠堹. 塈 堹堹塈堭塈 堥堭塈 堿塈媢堛 塈堻塈媢 塈堛 媢塈 塈媢塈堹 堹塈堭堹. 堞堭堬 堭 堭堹 塈堻塈媢 塈堻堛 琠 堹堭 媟 堶塈堛塈奡 堹堻堛 琠 琠 堥塈堭 堥 堹堹塈堭 塈塈 堬塈塈奡 塈 奡堹. 塈 堹堹塈堭塈 堿堹塈 塈堬 塈塈堛塈 堹痧堭 塈堻堛 琠 琠 塈堻堛 堹堭 堞塈 堭 琠堻 塈塈 塈堻塈媢 堭塈 堹堭 媔塈塈 媢 堥堥堹. 媔 媢 塈堭堛堥塈媟 媢塈媟 塈塈 塈堻塈媢 堭堹塈塈奡 媔塈 堭堶塈 堶塈琠 堥堭 塈 塈塈堛塈堻堛 琠 塈堛 堥堭塈 塈堻塈媢塈 堹塈堭堹. 堹堭 塈堭塈 堛塈 琠 堹堭 堹堭 塈塈堛 塈塈 堶塈媔堭 塈 堹堹塈堭塈 堹 堥塈堭 堭堮 堹塈堹 塈堻堛 堭 堹 堥塈堭 椈奡 塈堬 塈塈堥 堻塈 蛣蛪 堥堹 塈堻堛. 塈塈 奡堛 塈堻塈媢 堞塈堮塈 堻 琠 堥塈堭 堹堭 堭 堥堻堛 堹堭 堻塈塈 堞堮堭 堶塈堛塈奡 堹堭 奡堭 堶塈堛 琠 堮塈 堞堥塈堙 塈堿堹塈堹塈奡 堥堹 塈堻堛 堥 堿塈媢堛塈奡 堹堭 塈堭塈 堹堹塈堭 堹塈堹 塈堻堛.
堭堬
堥堬堭痧堹塈奡堛 堭堬 琠 塈堬 堻堛塈 塈堻琠 塈堻塈媢塈 堬塈堭 堹堭 堻堭塈堻堭 堿塈 塈堻堛. 椈奡 堥堬堭痧堹塈奡堛 堭堬 堥 堹堭 堮塈 塈媟 堥塈堬 痧堭堹堹 塈 堻堛 堭塈 塈堻塈媢塈 塈堭塈 堛塈 塈堭堬 堶婺 琠堭堹塈堹. 堻堛 堥堬堭痧堹塈奡堛 堭堬 琠 堻堛 堿塈 塈堻塈媢 塈堻堛 塈堻塈媢塈 塈堭媞 塈堬 堛 椈奡 堭痧奡塈 堭堬 堭塈 堥堬堭痧 堹塈堭堹. 堥 塈堻堥堛 堭堬 塈塈 塈堻塈媢 堹媢塈塈 堥堭塈 堿塈媢堛塈奡 堭堻堛堹. 堸塈 堭堬 堭 堹 堭奡 椈奡 塈堭塈 堹塈堭堹 塈 塈 塈堻塈媢塈 堬塈堭 堹堭 琠奡堭塈 堹痧堭 堿奡 痧堭堛 奡堹.
琠堻堥 堹塈奡 堶琠堛
椈塈堭 塈堬 堛堶塈堛 琠堭 塈媢堛塈堹 塈堻塈媢塈 堬塈堭 堹堭 堥堭堮堭堹奡塈 堥塈 堿塈 堹堭 堭堮 堹塈堹 塈堻堛. 堶堭 塈媯 堭琠堭堹 塈塈堛 塈堻塈媢 堹堭 堥堭堮堭堹 堥塈 堿塈 堹堭 塈堬 堬塈 堞塈堮塈 堻 塈 堥堹 塈堻堛 琠: 堞 堹堭 媞堭堥 塈堭椈塈 堮堥 堹 塈堮塈 塈堻堛 堥塈堹 堥 堛堥媢媔 塈堮堸 奡堹 (塈堶堜 媔塈堜 塈堣 堮堸 塈堶堜 堧 塈塈) 堞 琠 堥堭塈 堻塈堛 塈堮塈 堬堻堛 塈堿堛塈媢 琠 堻塈 媔堭 塈堻堛 堥塈堹 琠塈堭 痧堸塈奡堛 奡堹.
塈堭奡塈堹塈 塈塈塈 塈堻塈媢 塈堬 堹堭堥塈堬 堥塈 媢塈 竄堭塈罈 奡塈堮堛 奡堹 堥 塈 媢塈 琠 琠塈琠 堿塈堛 塈堭奡塈堹塈 堭 塈塈 塈堻塈媢 堹堭 堬塈 堮堹奡 堭媔塈 塈堻堛 堥堭塈 塈堻塈媢塈. 塈堬 堿 堭塈 塈塈塈 塈堻塈媢 堹堭 琠 堭 塈堮堭 堛堧琠堹 堥堭 堞堬奡 堛堶媯 堥堹 塈堻堛. 堛堶媯 堻琠塈堭 堬堹 塈塈塈 塈堻塈媢 堛媢塈堭媔 堥塈 琠堻堥 媢塈堭 堹 堹塈堭堹. 堹堭 堛堿 堹堭 堹堭塈 琠 堹堭 堥堻塈堭 塈堬 琠奡堭塈 堻塈奡 媢塈 堥塈 堻塈堮堛 堹塈堭堻 堿堹堹 堮塈堛 琠堭堹堹 塈塈堛 塈堻塈媢 椈堭堹塈堭 堿堹 堹堭堻堻塈堬 堥堹14. 媔塈 堥堭 塈 琠 塈堬 堛堧琠堹塈 塈塈堛 塈堻塈媢 堥堭塈堥堭 堶 堬 堭堹 堥堹 堛塈 堿塈 琠 堞塈堮塈 堻 堛媯堭堶 琠堭堹 堥堹 琠 塈痧堭 椈堹堭 塈堹堭 堹 堭堬堹 堹塈堭堹 琠 堹堮堛堭 堹痧堭 椈堻堭 塈堻堛 塈塈 塈堻堛媟塈媢堛 塈 堥堭塈 堛堶媯 媟 琠 堭堬堹 堭塈 堹塈堭堹 塈堛 塈媯 堥塈 堭堬堹 堹堮堛堭 塈堻堛 琠塈 塈媯 堮塈塈堹 堛堭堥堛 堻 堞堹 堮塈堹 堥堹. 塈塈堛 塈堻塈媢 堹堭 堞媞塈堬 堭 堥堻堛 堥 媯堭塈堶堛 堥塈 椈奡奡 堻堛 堬 堥 堳塈堥 堭琠 塈堬 堥塈堭 堹 塈 媔塈堛 堥堭塈 堭堻堛痧塈堭 塈堮堭 堮塈堛 琠堭堹. 塈堭堬 堬塈 塈堻塈媢 堿堬 堹堭 琠奡堭塈 琠 堥 堶琠 塈 堞 琠奡堭 堬 堥 堭媢塈堛 椈奡奡 媢堭 塈 堞 琠奡堭 堻堛堹 琠 堥 堭媢塈堛 堶堿塈堥 堻堛堹 堶堿塈堥 堭塈 塈堭 奡堭媢 堹塈堹 堥琠 堞 堭塈 塈堭 塈堿堛塈媢 媢堭 堹塈堹.
媢塈堹塈堛 塈堿堛塈媢 堸
塈塈塈 塈堻塈媢 媢塈媯堭 堥 椈堻 塈堬 塈堿堭堛 塈堻塈媢塈 堹堭 琠 堭 塈堮堭 堥 琠奡堭塈 塈堭椈塈 堞堭琠塈 奡塈 堥 堹媢塈堛 堥 堭堹塈奡塈 堹堭堥塈堭 塈堻堛媢塈 堹堮塈塈堛 塈堻堛媢塈 堮堭堹 堭奡 塈堹 堮堹堭 奡堹 奡堭堥塈堛 塈琠 奡堹塈堭 堹塈堹 塈堻堛. 塈堻堛堹塈 塈媯 塈塈堛 塈堻塈媢 堹堭 塈塈 堥堛 堥堭 塈 塈媯 塈堻堛 琠 堛堭 塈堭堬奡堹堛堭 媢堛 塈塈 堥堭塈 塈堻塈 堮堭堹 塈堻堛. 堹堮塈塈堛 堥 媟堭 堮塈媯 塈琠 堥 堛塈塈 媢 塈堻塈 堥 奡塈堹堛 堹堻堛塈堭堹塈 媢 堞堻堥 堬堹 塈堬 婺堭 塈塈堛 塈堻塈媢 塈 堛媯堭 堹堭 媢堛塈 塈塈 琠堭塈 媢堛 塈堻堛 堞堹 堭塈 塈堬 塈堮堸 堛媯 塈堮塈 媢塈 堹堭堻堛 堥塈堬 堹塈堭堹.
堞堬奡 堬堥塈 塈痧堻
塈堬 堹痧堭 堭塈塈 塈塈塈 塈堻塈媢 堹堭 堭 堶塈媔堭 堹堭 琠塈堭 堛堧琠堹 堥堭 琠堻堥 堹塈奡 堹堭 堥塈塈堛堭 堻媟堶 堞堮堛 堬堥塈 塈痧堻 塈堻堛. 堭塈痧堭 堬堥塈 塈痧堻 婺 塈塈 堭 堭堹 塈堻塈媢 塈堻堛. 塈塈 堻媟塈 堶堹奡塈 堞塈堮塈 堻 堬堥塈 塈堹堭塈奡 塈堭堻 堥堹 媢堹堛塈 堥 堬堥塈 塈痧堻 堛琠 琠堭堹. 塈塈 媢 奡塈 琠堭 塈堶堻 堥 堹 堬堥塈 堻媟 塈堻堛 塈塈 堬堥塈 堭堻 堛塈 奡堛塈 堭塈塈 堻堮堭塈塈 塈 塈痧堻 塈堻堛 堹堭 堛堿 塈痧 塈堻堛 堥堭塈 堿塈媢堛 塈堻塈媢. 堹塈堻堛 堬堥塈 塈痧堻 琠 堬堥塈 媢 堭痧 塈堭 堹塈奡 堹堭 堭堬痧塈堭 塈堻堛 堹堭 琠塈堭 堶婺 堬堥塈 堭 堥堮奡 塈堬 堿塈媢堛 塈堬 婺塈 塈堻塈媢塈 塈堻堛.
堳塈 塈塈 堥媟堭 堻塈堻
堶塈堛 堻塈堻 塈堿堛塈媢 塈堻塈媢塈 堬塈堭 堥堮奡 塈堬 堭琠堭堹 塈媢堛塈堹 堞塈 塈堻堛. 堹堭 堭堬痧塈堭 媢塈媯堭 塈塈堛 塈堻塈媢 堹塈媢 堻塈堻 堥 媢塈 椈痧堭 堞堭堬 塈 堞堭塈 堛奡琠 堶琠堛 堹 堥 堭堥堭 塈塈 塈堻塈媢 堹塈堭堹. 堹堭 媢 堭堛 堥 堻 堭 媢 堛奡琠 堶琠堛 堥 堭堥堭 塈塈 塈堻塈媢 堿堭 堥 堭椈塈奡 塈堹塈 奡堹 琠 媟 琠 堭 塈堮堭 塈塈堛 塈堻塈媢 堥堭塈 堥堥堹 琠堛 堬堹痧 塈堻塈媢塈 琠堻塈 琠 堞塈 堹堭 塈奡塈 堬堹痧 琠堹 塈堿塈堹 琠堭堹 塈堻堛. 堸塈 堭琠堭堹 堻塈堻堛 塈媯 塈塈 塈堻塈媢 塈堭奡塈堹 塈 堥 塈堻塈媢塈 堹堭 堭 媟塈 塈堬 堹塈 塈 塈堻堛 琠 堭 塈堻塈媢 堹 堻埵堛 婺 堹塈堭堹. 堮堻堛 堥媢堛 堥塈 塈塈 堬塈 塈堹塈堭 堥 塈 堥堛 椈塈堥堭 堥 媢塈 堭塈堳堹塈堭塈 堹塈堛 媢. 堹 塈堹塈堭 堥 琠奡堭 堛堥媢奡塈 琠奡奡 堹堭 堭媢塈堛 塈 堭 琠奡堭 塈堻堛 琠 堻埵堛 堶婺 塈堛 堭塈 堞塈 堭塈 堥堭 媢堹 堹塈堭堹. 堭 媢 堭堹 (塈 媢堹 堭堹) 塈堻塈媢塈 堹堭 堭 堿塈 堹塈 堥 媢塈堛塈 堻塈堻 痧堭塈奡塈 堶堬堥 堛塈 堹堭 婺 堶 奡堭堹奡塈 堹堭 琠奡堭 堬堥堭 媔媢堛 椈堹塈 琠堹 堥 塈媢堛堥塈堭 堥塈堭塈 媢塈堹 堹奡塈.
堻塈堮堛塈堭 堹堭堛
堻塈堮堛塈堭 堹堭堛 堿塈媢堛塈 塈堻塈媢 堹堭 堻堭塈堻堭 堹塈 堻塈堮堛塈堭 媢塈-堶-堥堭琠堭塈堛琠 塈堻堛 琠 堸 堳塈 堶-塈媢堛塈堹 堥塈 塈 竄塈堻塈堻塈 堻塈塈 奡媢 塈塈 塈堻塈媢 堬塈堭罈 堛媢堭 堛媢 奡堹15. 堭堥堭塈 堿塈媢堛塈 堮堛 塈堻塈媢 堹塈 琠 堹堭 堥奡 塈堬 蛢蛣 琠奡堭 堿塈 椈堭塈琠堹塈堹 堥 媟堭 堹堭塈 堥 堛奡堮媯 奡堮媯 塈塈 堶塈媔堭 塈塈 堥塈 椈奡塈堹 堭堥堭塈 堭 堿塈媢堛 堥 堹堛 堻 堻塈 堥塈 塈堻堛堭塈堭 堛媯堹 堶堹塈琠堳堭 琠 堹堭 堹堭 媯堥 堬堥堭 塈堛媯塈堥 奡堹. 塈 堻塈堮堛塈堭 奡堭塈 堬堭 婺堭 堻堛 塈塈 堶塈媔堭 塈堻堛 塈媯 琠堹 堹堭 塈堛媯塈堥塈 奡塈堻堛痧 堹塈奡 堛媢堹 堥 堥塈堭塈 琠堹 堻塈塈 奡媢 塈堻塈媢 痧堭堹奡 塈媯堥 塈堻堛. 塈堻塈堻塈 塈堻塈媢 琠 堛堭 媔塈奡 堛堭堭 塈媯 痧堭堹奡 堹堭堛 塈堻堛 堹堥塈塈 堹塈堭堹 琠 琠塈 塈媯 堛 塈堻塈媢 塈堻堛. 塈堻塈媢塈 塈 堥 奡塈堹堛塈堹 堥 堮堛 堥堛 椈塈堥堭 塈堻塈 堥塈堭 堹塈堭堹. 堭堞 堭塈 椈塈 塈 堮堹塈 堹塈堹 塈 堥 堶堻塈堥 椈堻 塈堬 堭痧 堿堻塈塈堹. 塈堻塈媢塈 塈 堥 堶 塈堶媯塈堭 塈塈 堬塈奡塈 堹堭 堛堻堭 堛堧 堹 堥堭 堶堻堥 塈堬塈 堬塈塈堹. 堸塈 堹 塈媯 堛媢 (塈塈 堶塈媔堭) 堛堧 (塈 堛堳 堥塈媟痧堭塈塈 塈堬 婺塈堭 堹) 塈堬 塈堭琠塈 堥塈堭塈 媢塈堹 塈堻塈媢 堻堛堹 琠 琠塈琠塈 堥 堛 堮堹 堥塈 塈堹 塈堻堛. 塈堻塈媢塈 堹堭 椈堭 塈堬 堸堥奡塈 塈堿堥塈堭 堹塈堭堹 堭 琠堻 塈堮堛塈堭 琠堹 塈 堸堥 堭塈 堛堭琠 琠堹 堛塈堹 堞堬塈堹塈 堛堭琠 塈 堞 堥痧堹 椈堻 塈堬 堛堭琠 塈 堞 塈堿塈堬 堶媔堭 堹堭 塈堻琠 奡媢塈埵堭 塈 堿塈媢堛 堭塈 堮塈堹 堹塈奡堛. 媔 塈媯 塈 堥塈堭 塈堮堛塈堭 堭 堭堹 塈堻堛 堹堭 堥塈堭塈 堹.
堥塈堭 堥 塈塈 堶 堶塈媔堭 堿堹
塈堻塈媢塈 塈 堥 媞堥堛 塈塈 堻堛堹 堸塈 塈塈 奡 堥塈堹 堶 堶塈媔堭 堿堹 堥塈奡堹. 堹堭 堹堭塈 塈堻堛堛塈堭 塈塈 堥 堹塈 堻塈堻 塈堭 堹塈媢塈 塈 塈堹痧塈 堮塈媯 塈塈 琠 堥塈 塈 塈堭堛堥塈媟 堻堛 堹塈堭堹 堻埵堛 堹塈堛 堿塈媢堛 堭塈 堛塈 堬塈 堶媔堭 媢 塈塈 堥堭 媢堹 堹塈堭堹. 塈堻塈媢塈 塈 堥 堮堛 塈塈堛 堻堛堹 堸塈 堛塈 堿塈 堥塈 塈堻堛 塈堻塈媢塈 堥塈堭 堥 塈塈 堶 堶塈媔堭 堹塈堭堹 琠 塈堬 媟堭 媯 奡堮媯 奡堹 堥塈 堛媯堭堶 塈塈 堥 堥 堿塈奡 塈塈 堥媢堹 琠 塈堬 塈塈堹 堸琠堭 塈塈 堥 塈堻堛 媢 奡堹. 堸塈 塈堻塈媢塈 塈 堥 塈堻堛堭塈堭 塈塈堛塈堹 媟媢 塈 堛 堞. 琠塈琠 塈塈塈 塈堻塈媢 堥塈 塈埵 堻堛堹 塈塈 堶塈媔堭 堹堭 堭 堹堭塈 塈埵 堞 堶堹 堮塈堹 奡堹.16
堹堭 椈塈塈 堛堭 琠堛塈 琠 堥塈堹 堛堸琠堭 奡堹 塈 塈堻堛 琠 堛媞堭 堛堶塈堛 堹堭堛 堣堻堻塈堛 堿塈媢堛 塈堻塈媢 堛堶堛 塈堭奡塈堹 塈塈 媢 奡塈 琠堭 塈堶堻 塈塈 堶塈媔堭 堥 椈堻 塈堬 塈堛塈 堻堹 堹塈 塈塈堛 塈堻塈媢 堥 堻堥 堹堭 椈堭堛媞塈 堥媢堹 塈堬 堛塈 堥塈 堹堛 椈堭堛媞塈 堥 堭堻堛 奡塈堮堛 塈塈堛 塈堻塈媢 堹堭 堛堭塈堬 塈堹 塈堛琠塈 堥塈 塈媢媟塈 媯堛塈 堹椈塈堛琠 堥 塈堹塈 塈塈堛 塈堻塈媢 堿 堛塈堬塈 堥 堶塈堛 塈堿堛塈媢 堹 塈堻塈媢塈 堥堮奡堹 塈堻堛17. 塈堻塈媢塈 塈堭塈 堹堭 塈堭堥 堥奡 琠塈 塈塈 塈堻塈媢 堹堭 堭塈堻堛塈 堻塈堮堛塈堭 堻塈堬塈 堿塈 堿塈媢堛 塈堻塈媢 堬堹痧 琠堹. 堶堬 椈奡塈 婺堭 媢堭堛 堭堥媟 堥 塈堻塈媢塈 堬塈堭 媢塈媯堭 堶堬 堥琠堭 堥堹媢 塈堻堛 琠 堿塈 椈奡 痧堻堛堭堹 堹塈堭堹.
椈塈堭扽塈
- 堥痧堭堹 堥: 堹堛堭 堭塈堹 堛塈堭堮 媢塈堹 塈堻塈媢 堛堭堿 堭堹 堥堹堭塈. 蛘蛦蛝蛦 (媯. 蛣蛪蛚 堥 堥媢堹)
- 堥堭塈 堛媯 塈堬 塈 琠塈堛 堥痧堭堹 堥 媯 痧塈堭堹 堥塈 奡堮媯塈堛 堬堭: Mohammad Poor, Daryoush, Extra-Ismaili Sources and a Shift of Paradigm in Nizari Ismailism in Intellectual Interactions in the Islamic World: the Ismaili Thread (2019), ed. O. Mir-Kasimov.
- 堥堭塈 堛媯 塈 琠塈堛 堥痧堭堹 堥 堹 痧塈堭堹 堥堭 堛媯堶堶 堛堭堿 堛塈堬 竄堿堻 琠堛堥 堮塈堭堬罈 堶堹 堥 媢堥堹塈琠堭 奡堭堻堛塈 堥塈 奡堮媯塈堛 堬堭: Shahrastn蘋 Muh怗ammad Ibn-尪Abd-al-Kar蘋m, and Daryoush Mohammad Poor. Command and creation a Shi’i cosmological treatise: a Persion edition and English translation of Muhammad al-Shahrastani’s Majlis-i Maktub (2021). London: Bloomsbury.
- 堥堭塈 奡堭堶 堬堹痧 堻堻 塈塈塈 堬塈堭 堥痧堭堹 堥 琠堛塈堥 堛塈堬 堭塈堹 堹堛堭 堥塈 奡堮媯塈堛 堬堭: Daftary, Farhad, The Ismaili Imams : A Biographical History.(2020) London: Institute of Ismaili Studies.
- 堥痧堭堹 堥: 堹堛堭 堭塈堹 堛塈堭堮 媢塈堹 塈堻塈媢 堛堭堿 堭堹 堥堹堭塈. 蛘蛦蛝蛦 (媯. 蛣蛢蛘 堛塈 蛣蛓蛦)
- 堥堭塈 塈媟塈媢塈堛 媯 堥堭堭堻 堥堭堬 塈堥媢 堮堛 堹堭堥塈堭 堬塈 堥堭堬 塈堮堛塈 塈 堞塈堮塈 塈 堻媟堛 塈堿塈堭 堥痧堭堹 堥 堹 堹 堥堥 堹堭 塈堳堭 堬堭: Aga KhanA title granted by the Shah of Persia to the then Ismaili Imam in 1818 and inherited by each of his successors to the Imamate. I. The First Aga Khan: memoirs of the 46th Ismaili Imam. Edited and translated by Daniel Beben and Daryoush Mohammad Poor (2018). London: I.B. Tauris.
- 堥痧堭堹 堥: 媢堬 堭. 塈堻塈媢塈 塈堭塈: 塈堬 堻媟 塈堛 堛塈 塈堭堬 堥塈 堛琠 堥堭 堹堭塈 媢塈媯堭. 堭堻塈 椈塈塈塈 琠塈堭奡塈堻 塈堭奡堹 堛塈堭堮. 堹塈奡痧塈 堭堹堻 奡堹. 蛘蛦蛪蛢. 媯. 蛦蛪蛣 堥 堥媢堹.
- 堥痧堭堹 堥: 堹堛堭 堛塈堭堮 媢塈堹. 媯媯. 蛣蛫蛘 堛塈 蛚菾蛘.
- 堥堭塈 奡堭堶 堥堻媟 塈堬 塈 媔塈 堛塈堬 堹堭 塈塈堛 塈堻塈媢 堥痧堭堹 堥: Mohammad Poor, Daryoush. Authority without Territory: The Ismaili Imamate and the Aga Khan Development NetworkThe Aga Khan Development Network (AKDN) is a contemporary endeavour of the Ismaili Imamat to realise the ethics and social conscience of Islam through institutional action. More. 2014. New York: Palgrave Macmillan.
- 堥堭塈 塈媟塈媢塈堛 堥堭堬 塈堬 堞堹塈堥 塈堻琠 堿塈媢堛 塈堻塈媢 堻堭塈堻堭 堿塈 塈堬 堿 塈堻塈媢塈 塈堭塈 堥痧堭堹 堥 媯 堛塈堬堛奡堭 奡堹塈 堹堭 塈堳堭 堬堭: Kabani, Shiraz, The IsmailisAdherents of a branch of Shi’i Islam that considers Ismail, the eldest son of the Shi’i Imam Ja尪far al-廜〢diq (d. 765), as his successor.: History, Doctrines and Ritual Practices, in Leaman Oliver. 2022. Routledge Handbook of Islamic Ritual and Practice. Abingdon Oxon: Routledge.
- 堥堭塈 堮塈堹 堛 琠塈 堹媢塈 塈堻琠 塈堻塈媢塈 堬塈堭 堥痧堭堹 堥: 堭塈 塈堭. 堛塈堭堮 塈堻塈媢塈 堻堛塈. 蛘蛦蛝蛣. 媯媯. 蛦蛢蛦 堛塈 蛦蛢蛪.
- 堥堭塈 堹堹 塈媟塈媢塈堛 媯 堹堭堥塈堭 媢塈堭 塈 堭塈琠堬 堻 堻塈堮堛 堞塈 堹堹 堛媯塈堭 塈堬 媔塈塈 堹塈堮 堥堭 堞塈 堥痧堭堹 堥 堥堻塈堛 堭堻 堿塈媢堛 堿塈 塈堻塈媢:
- 堭塈堹 堹堛堭 堻堹: 竄塈 [堞塈堮塈 塈] 堻埵塈 堭塈 堥堭塈 堿塈媢堛塈 堥堬堭痧 堮堿 媯堥 琠堭堹. 塈堬 堿 塈 堻埵塈 琠 琠塈堭塈 堥堹堹. 琠 琠堻 塈堻堛 琠 媢塈 堹堭 堭 痧堭 堶 塈堬 堮堿塈 堹塈堛 塈堭 塈堿堛塈媢 堹 堭塈 堥 媢堹 堹塈堭堹 堹堻堛塈堭 塈 琠塈堭塈 塈堹 奡堹. 堭 堿塈媢堛 堥塈 堹塈奡堛 堶堹塈 塈堬 堿媢堛 堥堭塈 堮堹奡 琠 琠塈堭塈 堮媯媯 堹塈堭堹 堥塈 婺塈 琠 堥 堭奡 堛媢堭 奡堹塈堹 塈堬 堿 堿媢堞堭 堿塈堛 堹 塈 堹琠 塈 堻 塈塈 婺塈堭堛 堥堭 堭塈堻 塈堻琠 堹 堹堭 堿塈媢堛堮塈塈. 塈 堹 塈媯媟塈堶 奡堛 塈堬 堬堥塈 堻塈堻琠堭堛塈堹 堿塈媢堛堮塈塈 堬 堥 堥 堮堹 堹堭 塈 堿塈媢堛塈 塈堻塈媢 堬塈堭 媞堭堮堿 椈堸堭堛 奡堹堹罈. (堹堛堭 塈 媯. 蛓蛪蛓 堭塈奡 堹 塈痧堻 琠堛塈堥 塈椈 琠堥堭堿 蛢菾菾蛪). 媯. 蛚菾蛦 堛堭堿 塈堭堻 塈堸琠堭.
- 堹堭 琠 塈堬 椈塈塈 塈 竄堛媢罈塈 琠 堞塈堮塈 堻 堹堭 堛塈堭堮 蛘 堸塈媢堹 蛘蛦蛣蛓 堭 媯塈堹 堥塈 蛘蛚 堥 蛘蛦蛘蛦 奡堻 堥堭塈 椈堭塈塈奡 堹堭 塈堭塈 奡堛 塈堻堛 堞堹 塈堻堛: 竄椈堻 堥 堿媢 堣塈 塈堿堥 塈堻堛 琠 媢塈堹塈堛 堮塈塈堛 琠 堮堹 堭塈 媢媔 堹 媟塈堥 塈堶琠塈塈堛 堹堛 媢 堿媢 堭堻 堬堹痧 堞堹塈堥 媢塈奡堭堛 塈堹塈 塈堹 堹堭 堭 堭 琠堛堥 堮塈 堛奡琠 堹 塈媟塈 堮堹 堭塈 琠 堹堭 堛堶媯 媢 堭堭 塈堹 堥堭塈 堮塈堭堿 塈堬 堹堭堻 塈 塈堿堥 堭塈 堥媢堹 塈堬 堞琠 琠 堭塈 堹堹 塈堬 媯堹 堥堻堛 塈 堿堹塈 堹 塈堥 奡堛塈堹 堞堭塈 堹堭 塈堬塈堛 堹堭堻 塈媟塈 媯堭 塈埵堹罈 媯堭塈堶堛塈 堭塈 媯堭 堿塈堛 堸堥 堻 塈塈 堭塈 堹堭 堻塈堮堛 堹堭堻 堛堧 塈 堞堬奡 琠堹琠塈 堭塈 媯塈堹堭 琠堭堹. 堻堮 琠塈 塈 椈塈 堬堹 痧塈堭堹 塈 媯 堶婺 塈堻堛.
- 堮堻堛 堻堮塈 塈 塈堻塈堻塈塈 琠 堹堭 塈堥堛堹塈 媢塈 堭堭塈堛 媔塈堥媟 堹塈奡堛堹 堹堭 塈堥堛堹塈 堭 堥堻堛 塈堹 琠塈堥奡 堬塈 堥塈 媢 奡堭媟堛 堹堭 塈堭塈 堹堭 堬塈 塈塈 堻媟塈 堶堹奡塈 堞塈堮塈 堻 堛堹 奡堹堹. 堥堭塈 堛媯 堹堭堥塈堭 堶堛塈堛 塈堭堥塈 塈堻塈堻塈塈 塈堻塈媢 堥痧堭堹 堥: Mohammad Poor, Daryoush. Authority without Territory: The Ismaili Imamate and the Aga Khan Development Network. 2014. New York: Palgrave Macmillan., pp. 54, 128-130.
- 堥痧堭堹 堥: 媟堻 堮塈堿 媯堭塈堹. 堭媔 堛堻 堥 堛媯堶堶 堻堹 堿塈 堶堻 堥堹堮奡塈. 堛堭塈: 蛘蛦蛫蛦 (堭塈堳 琠堛堥). 媯. 蛘菾蛝.
- 堥痧堭堹 堥: Mohammad Poor, Daryoush. Authority without Territory: The Ismaili Imamate and the Aga Khan Development Network. 2014. New York: Palgrave Macmillan., pp. 196-197.
Author
Dr Daryoush Mohammad Poor
Dr Daryoush Mohammad Poor is the Interim Head of the Constituency Studies Unit, Associate Professor in the Department of Academic Research and Publications at 51勛圖厙, London, and a lecturer for the Department of Graduate Studies. He is also the editor of the Ismaili Heritage Series.
